Theo Montoya's ANHELL69 (2023)+ a conversation with the director
This arresting, supremely confident debut feature from Colombian filmmaker Theo Montoya is a vividly conceived and dreamlike docufiction about queer life in Medellín.
~
Jun 20, 2024, 7:30 PM
2220 Arts + Archives, 2220 Beverly Blvd, Los Angeles, CA 90057, USA
Anhell69
directed by Theo Montoya
2023, Colombia/Romania/France/Germany, 75m, DCP
Thursday, June 20
2220 Arts + Archives
2220 Beverly Blvd, Los Angeles, CA, 90057
doors: 7:30pm
film : 8:00pm
Followed by a pre-recorded conversation with director Theo Montoya
This arresting, supremely confident debut feature from Colombian filmmaker Theo Montoya is a vividly conceived and dreamlike docufiction – at once a blissful evocation of queer nightlife in Medellín, and a deeply felt elegy for queer lives lost in an era of austerity and violence. A young filmmaker (Montoya) tells the story of his past while recalling the pre-production of his first film, a B-movie wherein Colombia’s ghosts, (whose presence recalls the spectral figures in Uncle Boonmee Who Can Recall His Past Lives) walk among the living. Yet amid real-life interviews with teenagers and twentysomethings, the filmmaker must reckon with ghosts both real and imagined, as Colombia’s new lost generation finds community and transcendence in the club. A self-described “trans film” and a triumph of personal filmmaking, Anhell69 is an act of documentary as pure cinema.
In Spanish with English subtitles. A Sentient.Art.Film release.
Winner: Venice Film Festival (Critic’s Week), Jury Special Mention
Official Selection: True/False, SXSW 2023
Special thanks to Keisha Knight and Tony Nguyen (Sentient.Art.Film).
“With Anhell69, Montoya has constructed an indelible, at times shattering portrait of a collection of lovers and fighters who have embraced hedonistic nihilism, just in order to find a place to exist.” -Michael Sicinski, In Review Online
“Part documentary, part celebration of outsider lives, and part remembrance, it’s a defiantly hybrid piece that’s cunning, challenging…[and] seemingly conceived to play out on the border between life and death itself.” -Jonathan Holland, Screen International